Piotr Dumała: Zbrodnia i Kara/Crime and Punishment 2000, 30min
Please enable Javascript and Flash to view this Viddler video.also take a look at Piotr Dumała’s Franz Krafka 1991, 16min;
and Woslnosc Nogi/Freedom of a Leg 1988, 10min (more)
Buck: Animation in 2d and 3D (via)
http://www.vimeo.com/5715709
Animated short film, traditional hand drawn, directed by Nico Di Mattia 2009 (via)
Malice in Wonderland is the work of experimental animator Vince Collins, 1983. (via)
Director: Monica Gallab, Belgium - The surreal, perpetual conveyor belt of life pushes these characters towards the promise of a picnic. (read more)
Hailing from their little tree house in Berlin, the Monkeymen are happy to announce the release of a new Experimental Animation Piece: SKINLINES.
Herr Schobel: A lot of time, effort and love has been put into this shiny little gem. We hope you enjoy watching it as much as we enjoyed making it. Feel free to comment, criticise or just show us some love. If you enjoy what you see, spread it around and help us to extend our monkey empire.
Make sure to turn HD on!
http://www.vimeo.com/7731624Laziness exemplifies satire well. Taken on a political or personal level, the point is well made. “My brain has become the brain of a fish. It’s in no state to think of anything…but why disturb the waters.” (via)
Animated by Aleksandr Tatarskiy and Igor Kovalyov
Directed by Yevgeniy Sivokon 1979
illustration and animation by ( y )
discovered on the beautiful sometimes for one gesture blogspot
The visual crossover between industrialization and science in Fritz Kahn’s artwork demonstrates surprisingly accurately how human nature became culturally encoded by placing the knowledge in an industrial modernity of machine analogues. He produced lots of illustrations that drew a direct functional analogy between human physiology and the operation of contemporary technologies. Therefore, by illustrating the body as a factory, Kahn was able to relate the body’s complex organic interior to the industrialized space so common in society during that period of time (the poster was created in 1926).
Henning Lederer: “From the moment on that I got to know Kahn’s poster “Man as Industrial Palace” in 2006, I had the idea to animate this complex and strange way of explaining the functions of a body. I wanted to continue Fritz Kahn’s act of replacing a biological with a technological structure by transferring this depiction with the help of motion graphics and animation. In addition to the moving images, as a framework, I had the idea to create a cabinet for this work including a mixture of old and new technology. This new version of the “Industrial Palace“ is an interactive installation for the audience to interact with - and by this to explore the different cycles of this human machinery.”
Read more about the installation at Morbid Anatomy.
L: Fritz Kahn, 1926 / R: Henning Lederer, 2009
http://www.vimeo.com/6505158Mindscape by Jacques Drouin, 1976. This film is about an artist who steps inside his painting and wanders about in a landscape peopled with symbols that trigger unexpected associations. Film without words.
Download EP of B-Sides Music and animation by Chad VanGaalen.
http://www.vimeo.com/6493725
http://www.vimeo.com/6929175
Jerzy Kucia (b.1942) was trained as a painter and graphic artist at the Krakow Academy of Fine Arts, where he is currently a professor and the head of the animation department. His first animated film, Return, was completed in 1972, and demonstrates beautifully Kucia’s interest in the interplay between reality, memory, dream, and emotion.
Strojenie instrumentów (Tuning Instruments) 2000, 16min
http://www.dailymotion.com/videox9ns3s
Odpryski (Splinters) 1984, 10min
Julian Antonisz, (November 8, 1941 - January 31, 1987), was a Polish avant-garde filmmaker, artist, animator, scriptwriter, composer, and inventor. Best known as an inventor and promoter of his unique animation technique called non-camera.
Sun A Non-Camera Film 1977 was his first all non-camera movie, although the technique has been used also in Antonisz’s earlier productions. The idea after the tehnique was to paint or scratch the images directly onto the movie tape instead of using a camcorder.
His most awarded work is How a Sausage Dog Works 1971
also check out What Do We See After Closing Our Eyes? 1978
When Madame Tutli-Putli was first being discussed as a concept for an animated short film, one of the most important creative issues was how to bring human emotion and expressiveness to stop-motion puppets.
Portrait artist Jason Walker created the technique of adding composited human eyes to the stop motion puppets. Walker developed a system of separating and analyzing the previously shot stop-motion puppet moves, choreographing, rehearsing and shooting a human actor’s corresponding “eye performance” to match each puppet move, at the same time recreating as closely as possible all light and shadow passes original to the stop-motion. Once the human eyes were shot, each eye was individually positioned, scaled, re-timed and digitally composited onto the puppet scenes on a frame by frame basis.
The creation of the film and this extraordinarily painstaking process took 4 years from concept to completion of the 20min Shortfilm by Chris Lavis and Maciek Szczerbowski.
Meet Laurie Maher, the Soul of Madame Tutli-Putli
Shane Acker holed up and spent nearly five years making his 11-minute animated shortfilm 9 , which snagged him a 2005 Oscar nomination and attracted the backing of fantasy auteur Tim Burton. Read Review
For his experimental short film „Energie!“, Thorsten Fleisch puts 30.000 Volt through photo paper. via nerdcore
Stephen and Timothy Quay (born June 17, 1947) are American identical twin brothers better known as the Quay Brothers. Most of their films feature dolls, often partially disassembled, in a dark, moody atmosphere. Perhaps their best known work is Street of Crocodiles, based on the short novel of the same name by the Polish author and artist Bruno Schulz. This short film was selected by director and animator Terry Gilliam as one of the ten best animated films of all time.
Full 20min Shortfilm: LINK1 / LINK2
also take a look at this interview with the Quay Brothers: part1 / part2
Music and animation by Dustball. “The figures are rotoscoped. I filmed myself doing the action then outlined every frame by hand. The sounds were created using everyday objects.”
Artist Kevin Dart invites you to discover his favorite featuring swinging 60’s spy girl, Yuki 7. To promote his new book Seductive Espionage Kevin Dart invents a hypothetical film. A collaborative effort between Dart, animator Stepahne Coedel and composer Cyrille Marchesseau.
The following tralier is an intro to his book, don’t wait for the movie-release 
Luke Jackson’s video for Goodbye London, written and directed by Murray John.
Chris Pell is a 21 year old recent graduate of Brighton University and has a very unique and diverse portfolio ranging from animation, photography to illustration. He enjoys fantasy worlds/alchemy/soca music/mysticism/the internet/horror movies/sparse marshlands/medieval armour/elaborate quests and cats. Just incase you were wondering.
Chris Pell’s animated illustrations on vimeo: Germlin - Scumbag
http://www.vimeo.com/5092434Hayao Miyazaki is widely regarded as the Walt Disney of Japan. Because of his influence in the animation industry, Miyazaki was recognized as one of the most influential Asians of the past 60 years in 2006.
Latest movie: Ponyo on the Cliff by the Sea, all 170,000 frames are hand-drawn. Stream Full Movie
illustration by Nasou (download in high res)
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