Piotr Dumała: Zbrodnia i Kara/Crime and Punishment 2000, 30min
Please enable Javascript and Flash to view this Viddler video.also take a look at Piotr Dumała’s Franz Krafka 1991, 16min;
and Woslnosc Nogi/Freedom of a Leg 1988, 10min (more)
Buck: Animation in 2d and 3D (via)
http://www.vimeo.com/5715709
Animated short film, traditional hand drawn, directed by Nico Di Mattia 2009 (via)
A short video-series called: Lucía, Luis y el lobo (Lucía, Luis and the Wolf)
The video was shot frame by frame with a digital photo camera. Materials: charcoal, dirt, flowers, found objects and cardboard.
by Niles Atallah, Cristobal Leon & Joaquin Cociña
Made up of hundreds of cut-out color ads presented in fragmented, rapid succession, this animated short takes a critical look at consumerism in a material world. Seductive advertising is seen as the main motivating force in shaping the desires, the needs and, to a large degree, the lives of modern men and women.
Ceci est un message enregistre by Jean-Thomas Bédard, 1973,
10 min 10 s stopmotion - View Here
The source images of this fascinating video by experimental image/sound-maker Brian O’Reilly & Woody Vasulka come from a video synthesizer called the Rutt-Etra Scan Processor from the 1970s, while the sound comes from manipulations via custom software designed by O’Reilly himself and co-designer Chandrasekhar Ramakrishnan. The full work is of total approximate duration of 45 minutes, with sections of various lengths, textures, and dynamic qualities. (read more) (via)
http://www.vimeo.com/7517418Malice in Wonderland is the work of experimental animator Vince Collins, 1983. (via)
Director: Monica Gallab, Belgium - The surreal, perpetual conveyor belt of life pushes these characters towards the promise of a picnic. (read more)
Hailing from their little tree house in Berlin, the Monkeymen are happy to announce the release of a new Experimental Animation Piece: SKINLINES.
Herr Schobel: A lot of time, effort and love has been put into this shiny little gem. We hope you enjoy watching it as much as we enjoyed making it. Feel free to comment, criticise or just show us some love. If you enjoy what you see, spread it around and help us to extend our monkey empire.
Make sure to turn HD on!
http://www.vimeo.com/7731624Black and white stop motion animation shot on 16mm film.
Since the seventies, the elegant and memorable photographs of Paris-based artist Sarah Moon (*1941, France) are an inherent part of the international fashion world. Scarcely anybody will be able to elude the particular magic of her works. There is a borderland between fiction and truth which seems to be a permanent feature of Sarah Moons works. Poetic as they may be, they always long to reveal a particular form of reality: the fugitiveness of the moment, the boundary between growth and decay, the magic of a single second. (via)
“Very often I say to myself: I would like to make a photo where nothing happens. But in order to eliminate, there has to be something to begin with. For nothing to happen, something has to happen first.” (read an interview with the artist)
Hear from Sarah Moon personally, what goes through her mind, while taking a photograph - in this 10min video
Laziness exemplifies satire well. Taken on a political or personal level, the point is well made. “My brain has become the brain of a fish. It’s in no state to think of anything…but why disturb the waters.” (via)
Animated by Aleksandr Tatarskiy and Igor Kovalyov
Directed by Yevgeniy Sivokon 1979
The visual crossover between industrialization and science in Fritz Kahn’s artwork demonstrates surprisingly accurately how human nature became culturally encoded by placing the knowledge in an industrial modernity of machine analogues. He produced lots of illustrations that drew a direct functional analogy between human physiology and the operation of contemporary technologies. Therefore, by illustrating the body as a factory, Kahn was able to relate the body’s complex organic interior to the industrialized space so common in society during that period of time (the poster was created in 1926).
Henning Lederer: “From the moment on that I got to know Kahn’s poster “Man as Industrial Palace” in 2006, I had the idea to animate this complex and strange way of explaining the functions of a body. I wanted to continue Fritz Kahn’s act of replacing a biological with a technological structure by transferring this depiction with the help of motion graphics and animation. In addition to the moving images, as a framework, I had the idea to create a cabinet for this work including a mixture of old and new technology. This new version of the “Industrial Palace“ is an interactive installation for the audience to interact with - and by this to explore the different cycles of this human machinery.”
Read more about the installation at Morbid Anatomy.
L: Fritz Kahn, 1926 / R: Henning Lederer, 2009
http://www.vimeo.com/6505158Mindscape by Jacques Drouin, 1976. This film is about an artist who steps inside his painting and wanders about in a landscape peopled with symbols that trigger unexpected associations. Film without words.
Download EP of B-Sides Music and animation by Chad VanGaalen.
http://www.vimeo.com/6493725
http://www.vimeo.com/6929175
Jerzy Kucia (b.1942) was trained as a painter and graphic artist at the Krakow Academy of Fine Arts, where he is currently a professor and the head of the animation department. His first animated film, Return, was completed in 1972, and demonstrates beautifully Kucia’s interest in the interplay between reality, memory, dream, and emotion.
Strojenie instrumentów (Tuning Instruments) 2000, 16min
http://www.dailymotion.com/videox9ns3s
Odpryski (Splinters) 1984, 10min
Julian Antonisz, (November 8, 1941 - January 31, 1987), was a Polish avant-garde filmmaker, artist, animator, scriptwriter, composer, and inventor. Best known as an inventor and promoter of his unique animation technique called non-camera.
Sun A Non-Camera Film 1977 was his first all non-camera movie, although the technique has been used also in Antonisz’s earlier productions. The idea after the tehnique was to paint or scratch the images directly onto the movie tape instead of using a camcorder.
His most awarded work is How a Sausage Dog Works 1971
also check out What Do We See After Closing Our Eyes? 1978
As the fresh 8oinks member I would like to present myself with the movie I did in collaboration with the director Alexander Markov, but besides our humble personae – an outstanding St.Petersburg artist Boris Koshelokhov.
http://www.vimeo.com/2751041
The guru of the Leningrad artistic under-ground, Boris Koshelokhov survived the post-war orphanage, vagabond life, swapped numerous occupations, endured political persecution, but nonetheless produced a spectacular body of works.
Now he has come up with a plan to create one of the biggest works in the history of art: a 5000 square meter painting. The preparatory stages of his project are finished…
( more info at http://nickteplov.com/koshelokhov )
Shot and hand-colored - frame by frame - at the end of the 19th Century. Still captivating today, but just imagine what it must have been like to watch an image move and transform like this in 1899! A beautiful example of the earliest cinematic ART.
Just a little clip of black humor.
A magician creates the fire and turns it in lungs.
The music is made by “Teatrino elettico”.
Before the projection in Bologna, Palazzo Re Enzo. Doors closed.
Project: Andreco (Stop motion video) + Teatrino elettrico (Audio).
For Robot Festival
see also:
A little clip of black humor
A 20meters whale in Ancona
Riding a silkworm
Trevor Brown aka Babyart made an installation at the Hotel Dare in second life. Mescaline Tammas made an explosive little clip as a document of the SL installation; a tribute to Trevor Brown’s work. Music by Venetian Snares.
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